The lyrics of a classic Rolling Stones song came to mind over the weekend. And, with deference to The Mick’s problems, I think that maybe he and the rest of the Stones were wrong; it is possible to “get some satisfaction.” Although I am sure that I am thinking in a different vein than that intended by the 60s rock & roll classic, I personally know of at least 2,000 people that got some satisfaction this past weekend at the National Theatre in Washington, D.C. The rest of this story in just a moment.
One of the best and most enduring qualities of the arts is that they offer viewers, listeners, and participants emotional comfort and release, while all the while offering intellectual stimulation for conversation, laughter and discernment. Ralph Waldo Emerson offered that the nature of the arts was to “open great gates of a future, promising to…lift human life out of its beggary to a god-like ease…” Whether it is the simplest of childhood plays and songs to the most sophisticated music, paintings, or dance, the most resilient heart can be purified, uplifted and inspired by artistic endeavor.
Especially if you are a parent of the artist, and an audience member. So, there we were, nervously crouched in National Theatre in D.C. last Sunday (Dec. 18th), surrounded by all those spirits of famous actors, singers and dancers that have graced its stage for more than 200 years. The audience was abuzz with pre-show chatter, including one young man that said, in a disappointed pout to his father, using an overly loud voice: “the guy who is playing Valjean is, like, the third understudy.”
The rest of the next three hours seems a blur now; I am not sure I will ever get used to the feeling. After choking back exclamations of joy and sobs of emotion, we made it to the end of Les Misérables and eventually to the stage door, where we desperately and proudly hugged this Valjean’s neck. I do remember the audience being so generous at the end of the prayerful song “Bring Him Home” and standing as one at the end of the show, as if to say “thanks for lifting our lives and bringing ease to our world, if only for a moment.” And they did it for him at his bow, our son, our Valjean, who offered that 2,000-person ensemble a moment at the “great gates of the future.”
After the show, in a gently pointed way, I asked the young man that was upset at seeing the “third understudy” if he enjoyed the show. He was effusive in his praise, particularly for the actor playing Valjean. “I’ve seen the show five times and he was one of the best ever,” he said. I think it was then that I finally breathed and confessed my interest. And joyfully took him and his family to meet my son, Jason Kraack. At that moment, I think began to understand this lyric from Les Mis: “To love another person is to see the face of God.”
Other best bets for this week and upcoming weeks: at the movies, “The Producers” opens (not for kids, but fun campy humor for adults); 30th annual New Year’s Bluegrass Festival at Jekyll Island, Dec. 29-31, 706-864-7203 for info; Bruce Ann Ferguson’s “The Joy of Painting” at Vandroff Art Gallery, 5:30-10 p.m. through Jan. 1; “The Last Night of Ballyhoo” at Limelight Theatre, 7:30 p.m.; family fun at MOSH’s Universe Science exhibit “Trains;” music by Billy Joel and choreography by Twyla Tharpe in “Movin’ Out” at TU Ctr, Jan. 17-22; Broadway’s big fat musical comedy hit, “Hairspray,” at Times Union Center, Feb. 28-March 5.
If you have ideas or events you want me to share with readers, send me a note at pkraack1@tds.net
12.28.05